Thursday, December 16, 2010
Wed. Dec. 15 & Thurs. Dec. 16, 2010
Important steps for successful exam writing:
Highlight in a different colour, lines the questions refer to and then read them again.
Read the story more than once (if there’s time).’
Paraphrase (finish paragraph- look away and decide what it said – write down a few words
Use process of elimination to arrive at the answer
Highlight key words
Tuesday, December 14, 2010
Tuesday, December 14, 2010
Monday, December 13, 2010
Monday, December 13, 2010
Wednesday, December 8, 2010
Wednesday, December 8, 2010
Tuesday, December 7, 2010
Tuesday, December 7, 2010
Monday, December 6, 2010
Monday, December 6, 2010
Friday, December 3, 2010
Friday, December 3, 2010
Thursday, December 2, 2010
Questions
1. "Surely there is no one among you who wants to see Jones come back?" Throughout the animals' reign on the farm, Napoleon and Squealer dangle the possibility of Jones' return as a constand danger, keeping most of the other animals in fear, and thus, submission. Do you think that this is a valid threat? Do you feel that, overall, the animals were better or worse off once they were in control of the farm?
2. Throughout the novel, the natural characteristics of each animal figure heavily in their motives and pronouncements. How do the actions of Napoleon (a pig), Boxer (a horse), Benjamin (a donkey) and the dogs and sheep reflect the traits normally associated with the animal? Do you feel that Orwell purposely chose certain types of animas to assume certain roles?
3. In one of the first scenes in the novel, Old Major sings Beasts of England, effectively bringing the animals together under a common purpose. Indeed, throughout the initial struggle against Man, it is a wildly popular and inspirational song. Yet later on, when the animals have successfully conquered the humans, Squealer, "attended by two dogs," announces that Beasts of England had been abolished and "was no longer needed." Why? Can you cite other examples where what was once held "sacred" and "necessary" to the common cause was later banished by decree?
4. The novel ends with a chilling passage, wherein Clover notices something odd about the humans and pigs meeting in the farmhouse: "Twelve voices were shouting in anger, and they were all alike. No question, now, what had happened to the faces of the pigs. The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which. What is Orwell saying here? How do you interpret this final scene?
5. In reading Animal Farm, Lord Action's famous pronouncement "Power tends to corrupt, and absolute power corrupts absolutely" may come to mind. How asn why si this statement applicable to the course of events in the novel?
6. Among the various characters in the novel, whom do you feel is the noblest or most worthy? Which animal would be best suited to lead a group against Napoleon and the pigs? What qualities would this animal need to possess to do so?
Wednesday, December 1, 2010
Wednesday, December 1, 2010
Tuesday, November 30, 2010
Tuesday, November 30, 2010
Monday, November 29, 2010
Thursday, November 25, 2010
Thursday, November 25, 2010
You were then given the questions for chapters 7 to 10 to complete.
Wednesday, November 24, 2010
Wednesday, November 24, 2010
Animal Farm
Answers: Chapters 4 to 6
Instructions: Answer each of the following questions FULLY or as instructed (ie: if told to “list” answers, then do).
1. Describe and explain the growing conflict between Napoleon and Snowball as well as the events leading up to the eventual outcome. (value: 7)
2. What is the importance of the windmill in the story? What does it represent in the real world? (value: 2)
3. Describe (give a detailed account of ) the Battle of the Cowshed. (value: 7)
4. Tell how the pigs corrupt the Seven Commandments. (value: 3)
5. What is a scapegoat? Explain how the pigs make use of scapegoats. (value: 3)
Tuesday, November 23, 2010
Tuesday, November 23, 2010
Animal Farm
Questions: Chapters 1 to 3
Instructions: Answer each of the following questions FULLY or as instructed (ie: if told to “list” answers, then do).
1. Explain the most important ideas of Animalism (value: 3)
2. List the Seven Commandments. (value: 7)
3. Describe (give a detailed account of) the Rebellion. (value: 7)
4. Describe (give a detailed account of) the hay harvest (including its outcome).(value: 5)
5. Describe the education of the animals. How does the education of the animals work out? (value: 4)
6. What happened to the milk and apples? How does this align itself to the Seven Commandments? How is this “change” explained? (value: 3)
Monday, November 22, 2010
Monday, November 22, 2010
Friday, November 19, 2010
Friday, November 19, 2010
If you were not here, do an Internet search on these two topics to gain understanding (the handouts will be in your portfolio).
I also had the students who were here go up to the library and sign out the novel Animal Farm. If you were not here, try to get this out before class on Monday (the librarian is up there by 8:30).
Thursday, November 18, 2010
Thursday, November 18, 2010
Wednesday, November 17, 2010
Wednesday, November 17, 2010
Tuesday, November 16, 2010
Monday, November 15, 2010
Monday, November 15, 2010
Wednesday, November 10, 2010
Wednesday, November 10, 2010
Tuesday, November 9, 2010
Tuesday, November 9, 2010
Monday, November 8, 2010
Tuesday, November 2, 2010
Friday, November 5, 2010
Thursday, November 4, 2010
Wednesday, November 3, 2010
Tuesday, November 2, 2010
Monday, November 1, 2010
Monday, November 1, 2010
Friday, October 29, 2010
Friday, Octtober 29, 2010
The Merchant of Venice: Study Questions -- Act 1
Answer each question thoroughly. Write down act, scene, and line references to note where you find textual evidence of your answers.
1. What does Bassanio want from Antonio? Why?
2. What is Antonio’s financial situation? What is Bassanio’s financial situation?
3. What does Antonio tell Bassanio in response to his request? How will Antonio help
Bassanio?
4. In what way does Antonio’s comment at Act 1, Scene 1, lines 184-186 seem to contradict
his comments at Act 1, Scene 1, lines 42-46? How might you account for this apparent
contradiction?
5. What is the relationship between Antonio and Bassanio like? How do you know?
6. What kind of personality does Gratiano have? How do you know?
7. What is the main point behind Portia’s comments at Act 1, Scene 2, lines 12-17?
8. What is the “lottery” that Portia’s father has devised for her future & decreed in his will?
9. Explain what Portia specifically thinks of each of these suitors and how you know it:
a. the Prince from Naples (Neopolitan)
b. Count Palatine
c. the French Lord
d. the English Baron
e. the Scottish Lord
f. the young German
10. What is inconsistent about Act 1, Scene 2, line 123, in terms of the list of suitors that has
previously been put forth by Nerissa?
11. What does Portia say about the newly-arriving prince from Morocco? What are the
possible meanings of Act 1, Scene 2, lines 129-131?
12. What does Bassanio ask of Shylock, specifically?
13. What is the idea behind Shylock’s comments at Act 1, Scene 3, lines 33-37? Why does he
say this?
14. Why doesn’t Shylock like Antonio? What harm does Antonio cause Shylock? (HINT: look
in more than one place in the text)
15. What is Antonio’s point in Act 1, Scene 3, lines 99-101?
16. What does Antonio think of Shylock? How do you know?
17. What “deal” does Shylock make with Antonio? Why does Antonio agree to it?
18. In what way(s) does the scene between Shylock, Antonio, and Bassanio remind you of
Marlowe’s Doctor Faustus?
19. In this act, find examples of the following literary devices/techniques:
a. simile
b. metaphor
c. hyperbole
d. mythological allusion
e. historical allusion
Thursday, October 28, 2010
Thursday, October 28, 2010
Wednesday, October 27, 2010
Wednesday, October 27, 2010
Tuesday, October 26, 2010
Tuesday, October 26 2010
Friday, October 22, 2010
Friday, October 22, 2010
Thursday, October 21, 2010
Thursday, October 21, 2010
Wednesday, October 20, 2010
Wednesday, October 20, 2010
There are a number of words in there that you need to study for a quiz on Friday. If you were not here, it is in your portfolio.
We then finished marking the Shakespeare A&E questions to be sure you have the context you need to understand Shakespeare.
Tuesday, October 19, 2010
Tuesday, October 19, 2010
Monday, October 18, 2010
Monday, October 18, 2010
Friday, October 15, 2010
Friday, October 15, 2010
Thursday, October 14, 2010
Wednesday, October 13, 2010
Wednesday, October 13, 2010
Tomorrow you will write a personal response, in-class essay. On Friday, you will write your unit exam which will be a blend of short answer, matching, and multiple choice questions as well as comprehension readings.
Tuesday, October 12, 2010
You were then to study all of the terminology for this unit as well as the steps you are to follow in order to analyze a poem and the layout of an essay.
Wednesday, October 6, 2010
Thursday, October 7, 2010
Wednesday October 6, 2010
Tuesday, October 5, 2010
Monday, October 4, 2010
Monday, October 4, 2010
Friday, October 1, 2010
Friday, October 1, 2010
Thursday, September 30, 2010
Thursday, September 30, 2010
Following this, the students then answered the questions provided and as indicated in the instructions. If you were not here, both the poem and the questions are in your portfolio.
Wednesday, September 29, 2010
Wednesday, September 29, 2010
Tuesday, September 28, 2010
Tuesday, September 28, 2010
I provided you with a concise handout of expectations (starts with “1. Look at the title of this poem…") to explain exactly what is expected in a poetry analysis.
I then handed out the poem “Early Shift” by Peter Towers
You were to analyze it as indicated in the handout you have received today. If you were not here, the handout and the poem are in your portfolio.
Monday, September 27, 2010
Monday, September 27, 2010
Thursday, September 23, 2010
Thursday, September 23, 2010
· I then handed out the list of terms and concepts you will need to understand by the end of this unit entitled “Introduction to Poetry”
· I then handed out the booklet entitled “The Least You Should Know About Poetry” to help you locate and define the terms and concepts
· You were to put all of these on cue cards for study purposes (as indicated on the concepts/terms sheet).
Make sure you pick up more cue cards for this class as 100 is proving not to be enough (try for 100 per unit, though there will be less as we go).
Wednesday, September 22, 2010
Wednesday, September 22, 2010
You also had to examine your returned essay, note the comments, and find areas you believe you will/can improve.
I also handed out a copy of your progress to this point.
Tuesday, September 21, 2010
Tuesday, September 21, 2010
Tomorrow, we will start the poetry unit.
Monday, September 20, 2010
Monday, September 20, 2010
Thursday, September 16, 2010
Friday, September 17, 2010
* "The Crystal Stars have just Begun to Shine (page 60)"
* "War (page 70)"
* "Penny in the Dust (handout)"
* "Jezebel Jessie (handout)"
Thursday, September 16, 2010
A reminder: your in-class essay is on Monday and your in class multiple choice exam is on Tuesday.
Wednesday, September 15, 2010
Wednesday, September 15, 2010
Tuesday, September 14, 2010
Tuesday, September 14, 2010
Monday, September 13, 2010
Monday, September 13, 2010
I then handed out a sheet on how to write a critical/analytical essay. From this, the students wrote a character sketch using points 3, 4, and 5. If you were not here, this, and the comma exercise and rules, are in your portfolio.
Friday, September 10, 2010
Friday, September 10, 2010
I then did some mini lessons on the following common mistakes I am seeing in students' writing:
* using "could have" and "would have" instead of "could of" and "would of".
* using "until" instead of "till".
* not starting answers with the word "yes" when they are to be answered fully.
* using "because" instead of "cause".
We then worked more in-depth on the struggles students are having with "there", "their", and "they're". I handed out an explanation of how to use these properly as well as questions that were due today. If you were not here, look up the rules for these on the Internet and then do the questions that follow:
INSTRUCTIONS: Examine each of the following sentences. If they are correctly using “there”, “their”, or they are, write correct in the space provided. If they are not used correctly, rewrite the sentence correctly. Make sure that you spell all the words correctly as I will dock you marks if you don’t. Also, make sure you put capitals at the beginning of the sentences and periods at the end.
1. There hanging from a pole.
2. They look sad because they don’t want to be there.
3. One can see from the photograph that there looking at something.
4. No one makes there kids do something they don’t want to.
5. The kids are only doing this because their parents put them there.
6. This is probably a normal part of there lifestyle.
7. How is what their doing going to affect them in later life?
8. They should be hanging out with they’re friends.
9. Children need their time to play.
10. Governments need to tone down what they are doing as there children need to have lives.
11. I think it is wrong for China to bring such young children into a stressful environment like this because their just kids.
Thursday, September 9, 2010
Thursday, September 9, 2010
Wednesday, September 8, 2010
Wednesday, September 8, 2010
Author’s often reveal the personalities of characters through description, direct speech and actions.
Find at least two of each of these in the story for two different characters (so, four in each category):
Use a chart to keep track of your findings:
These are all due by the start of class tomorrow.
Tuesday, September 7, 2010
Monday, September 7, 2010
We then discussed the short story "The Crystal Stars Have Just Begun to Shine", by Martha Brooks. We defined what is meant by themes and Symbols (if you were not here, you must look them up and define them), and then I handed out questions. I have pasted them in here. These are due for tomorrow.
“The Crystal Stars Have Just Begun to Shine” (p. 60)
1. What is the problem Martha brooks introduces at the beginning of the story? What conflict does it produce? How are the problem and conflict resolved?
2. What do you think the title of this short story refers to? Why do you think Brooks chose this title?
3. What do you think will happen between Elliot and Rita after the story’s ending?
4. Which of the characters could you identify with? Explain your reasons using details to support this position.
5. Do you think the story offers a realistic portrayal of family life in Canadian society? Explain your reasons using details to support this position.
6. What do you think is the theme of this story? The theme of a story is what the main character, or the reader, discovers about life or people by the end of the story.
Friday, September 3, 2010
Friday, September 3, 2010
For this weekend, read the short story, "The Crystal Stars Have Just Begun to Shine", which starts on page 60 of your Crossroads text.
Thursday, September 2, 2010
Thursday, September 2, 2010
After this, we discussed the short story "War" further.
Basically, we identified all the parts of the plotine for this story
If you were not here, you need to write this quiz. The notes from the powerpoint will be in your portfolio.
The next story we will read is on page 60 of your Crossroads text.
Wednesday, September 1, 2010
Wednesday, September 1, 2010
We then discussed "War" by Timothy Findley (powerpoint). If you were not here, I have placed this information in your box as well. I had all the students write an in-class summary of the short story. This was used as a homework check.
Your assignment was then to create a plotline on an 11 X 17 sheet provided using the notes we took yesterday. If you were not here, these notes have already been placed in your portfolio. These plotlines are due tomorrow.
Tuesday, August 31, 2010
Tuesday, August 31, 2010
Misuse of "a" when "the" should be used
“A lot” is two words not one
How to write out numbers (spell them out up to but not including 100)
I then introduce the short story unit using a powerpoint. If you were not here, the powerpoint is in your portfolio.
Additional plotline information added to the line in the powerpoint included; Setting (time, place, mood situation); characters, point of view; denouement; expository information.
Also discussed is that the protagonist is the main character, but isn’t always a good guy; the antagonist is anything that stands between the protagonist reaching his or her goal (the conflict).
Make sure you have read "War" by Timothy Findley for tomorrow.
Wednesday, August 25, 2010
Monday, August 30, 2010
I have been a teacher since 2002.
For most of that time, I have worked at this school and, for the most part, my experience has been in English instruction. Prior to that time, I was a journalist and an editor.
If you check this site daily, you will discover that I do update it after every class.
In other words, if you are absent, you can look here and find out what we've done.
What most students do is add this site to their "favourites" on their computer at home.
My school email address is: dawn.benoit@nlsd.ab.ca
My home phone number is: 780 826-8931.
If you are absent, you have no real excuse for not doing your work... this site and these numbers will make that task a lot less painful.I have given you all a handout for this course. If you were not here, it is in your portfolio on the desk at the back of the room beside mine. Check there.
Today, I gave you all the option of writing on one of two topics: Discuss a book that you read this summer... or ... Discuss something you did this summer that you either enjoyed or didn't... to do this assignment, I wanted a summary of the book or event, an opinion about it (supported with evidence) and a discussion of the relevance of it (such as... what it might lead to you doing in the future). We also took out the library text Crossroads. You were then instructed to read the short story "Wars", by Timothy Findley for tomorrow (page 70).